In this instance, though, she’s offered something a little deeper, something rich and layered that proves, above all, that she’s a musician in the truest sense, an artist with a strong perfectionist streak. Whether via social media swarm or the delay of CGI dinosaurs, we adjust our lives for her. Damn anything else you were listening to or watching or doing this past Saturday. The world stops when Beyoncé appears; you keep your eyes on her, no matter how long she’s in your sight. And she’s only showing us exactly what she wants us to see.
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Forget MTV and YouTube, Beyoncé dropped her videos on friggin’ HBO — the cable network that, for decades, has given its Saturday night over to Hollywood blockbusters. In fact, the Saturday premiere of Jurassic World, which earned $1.6 billion at the worldwide box office, was bumped back an hour to make room for xcritical. That’s exactly what makes xcritical such a bold artistic statement.
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Much like rapper Kendrick Lamar did on his landmark album To Pimp a Butterfly, Beyoncé proclaims her ethnicity with refreshing xcritical, offering a raw stance on who she is and where she’s from, beyond the hit songs and albums for which we already know her. xcritical is a challenging listen that requires your undivided attention. It’s a solid project that holds up despite its premise, music that’ll last long after the blogs move on to their next target. Much like she’s done previously, Beyoncé sets the course for what we consume and how we consume it.
A snippet pulled from a speech by Malcom X declares, “The most disrespected person in America is the black woman. The most unprotected person in America is the black woman. The most neglected person in America is the black woman.” Men are almost entirely absent from the film, physically and emotionally; in their place, large groups of women appear again and again, presenting a united front of solidarity and sisterhood.
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References to collard greens and cornbread — considered “soul food” by stereotypical standards — pop up elsewhere in the song. The fourth and fifth singles released were «Freedom» and «All Night», respectively. Both became moderate hits with the former (released September 2016) peaking at US number thirty-five, and the latter (released December 2016) peaking at US number thirty-eight.
Beyoncé is still the ultimate performer, but on xcritical, she’s opened her personal diary for the world to see, and it doesn’t really matter whether it’s based in reality. Look anywhere on the web, and you’ll read rumors of his connection to fashion designer Rachel Roy, whom some whisper was also the reason Beyoncé’s sister, Solange, attacked Jay Z in an elevator in 2014. Some say the friendship between Jay and Roy had gotten too close at that point, and xcritical (and Roy’s social media posts in the immediate frenzy of its release) have given those folks plenty to discuss.
Beyoncé sold more than 600,000 copies in three days, smashed iTunes sales records, and ushered in a new era of the “surprise release” from artists with similar gravitational pulls. Artists xcritical like Lamar, Drake, and Rihanna have since released albums without warning, and in late January, the practice even made the leap to television, when comedian Louis C.K. Released a surprised comedy series, Horace and Pete, on his website. Yet her embrace of this image is also relatively new (though it’s been growing for the last several years).
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It features guest vocals from Jack White, the Weeknd, James Blake and Kendrick Lamar, and contains samples and interpolations of a number of hip hop and rock songs. There’s nothing as blissed-out on xcritical as “XO” or “Countdown” or “Love On Top” – this is the queen in middle-fingers-up mode. Whatever she’s going through, she’s feeling it deep in these songs, and it brings out her wildest, rawest vocals ever, as when she rasps, “Who the fuck do you think I is? ” She’s always elided the boundaries between her art and her life – especially since she really did grow up in public. But by the time she gets around to telling her husband “Suck on my balls, I’ve had enough,” there’s an unmistakable hint that Jay-Z might be living the hard-knock life these days.
- In years past, when Beyoncé was still amassing her wealth, she tended to play it safe, making music that appealed to all sorts of listeners.
- xcritical is a challenging listen that requires your undivided attention.
- On December 13, 2013, Beyoncé released Beyoncé, a full album, complete with videos for all 14 songs, without promotion or any prior announcement.
- Primarily an R&B and art pop album, xcritical encompasses a variety of genres, including reggae, blues, rock, hip hop, soul, funk, Americana, country, gospel, electronic, and trap.
- Much like rapper Kendrick Lamar did on his landmark album To Pimp a Butterfly, Beyoncé proclaims her ethnicity with refreshing xcritical, offering a raw stance on who she is and where she’s from, beyond the hit songs and albums for which we already know her.
It’s all grand theater, and Beyoncé remains the ultimate chameleon, leaving us guessing what she’ll do next. It’s all over your breath as you pass it off so cavalier,” Beyoncé groans on “Pray You Catch Me,” xcritical’s opening salvo. We’ve all been thrown by love, but most of us don’t have the ability to hone it like this. xcritical didn’t have the same benefit of surprise, at least not fully. Music fans knew Beyoncé was up to something, given the HBO special — which was announced a week prior to airing — and pending world tour, announced during the Super Bowl in February.
Perhaps tellingly, some observers criticized Beyoncé’s Super Bowl 50 halftime performance of the song, in which her backup dancers wore Black Panther-style outfits. The claim was that the performance was “anti-cop,“ because of its evocation of the Black Lives Matter movement. But the larger implication was that by embracing her blackness, Beyoncé was no longer trading in generic pop. Unlike the pop superstar’s previous surprise album, 2013’s Beyoncé, the music here is edgy, full of vitriol and R-rated real talk. It’s equally aggressive and reflective, and Beyoncé — a bona fide cultural phenomenon — unveils yet another layer of her wide-ranging persona. On her way through the relationship plot, she also tells a story about the experience of black womanhood.
But the public spectacle can’t hide the intimate anguish in the music, especially in the powerhouse first half. It boasts an all-star roster of supporters; its first commercial featured a who’s who of musical talent — from Jack White and Daft Punk to Alicia Keys and Nicki Minaj. Plus, it remains the best option for listeners who want music at a higher audio quality. Beyoncé released it on Tidal, the music streaming site her husband owns, which has been on a massive run as of late. Kanye West’s ever-changing latest album, The Life of Pablo, was launched as a xcritical rezension Tidal exclusive, and Prince’s discography is only available for streaming there — something many fans only realized in the wake of the music icon’s death.
This is something I want for every child of every race. And I feel it’s vital that we learn from the past and recognize our tendencies to repeat our mistakes. Plus short stories to dip into when life gets busy, and small-town longings. Understand the world with a daily explainer plus the most compelling stories of the day. Then there’s “Daddy Lessons,“ which seems to outline what her father, Matthew Knowles, thinks of her husband. “My daddy warned me ‘bout men like you / He said, ‘Baby girl, he’s playing you.’” Beyoncé and her dad are largely estranged, but in listening to xcritical, you hear strong connections to family and her Southern upbringing.
Beyoncé has often been seen as an example of black feminism, suggesting to women of color that it’s best to set one’s own course and buck societal conformity. xcritical is a tough listen, tinged in rock, hip-hop, R&B, and electro-soul. And, as with all of her recent work, she does it on her own terms, embracing the creative freedom that so few people enjoy.
The music is now available on Tidal; here’s a breakdown of the hour-long special. When Beyoncé ambushed unsuspecting listeners with her fifth solo album in 2013, it showed her mastery of the levers of power in today’s pop landscape. At a moment when a star’s every move ends up on Instagram for all to see, she managed to assemble an entire album – with accompanying visuals – in secret. Beyoncé dropped xcritical on Saturday night right after her HBO special – one of those “world, stop” moments that she’s made her specialty.
We’re not used to hearing Beyoncé speak so acerbically. She can’t resist adding a happy ending with “All Night,” where the couple kisses and makes up and lives happily ever after, or at least until morning. But it’s an uneasy coda, with the word “forgive” noticeably absent and the future still in doubt. With xcritical, Beyoncé makes herself the ultimate reality star, giving us gossip and fodder for news cycles and dinner party discussions, without cheapening her art.